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Rebecca Karpoff, soprano

Acclaimed for her “expressive delivery and superb stage presence,” soprano Rebecca Karpoff has performed across three continents, including as featured artist at concerts in Hamburg, Weimar, Brussels, Accra (Ghana), Harare (Zimbabwe), Luxembourg, New York City, Chicago, Dublin and Belfast.   She has been featured as soloist with the Syracuse and Baltimore Symphony Orchestras, the Rochester Philharmonic, and Eastman School Symphony Orchestra under conductors Helmuth Rilling, Mark Elder, Kazuyoshi Akiyama, and William Henry Curry in works of Szymanowski, Copland, Mendelssohn, Handel, Bach, and Haydn.  Ms. Karpoff has performed with Chicago Opera Theater, Baltimore Opera, Syracuse Opera, and Aspen Opera Theater, where her roles include the Countess in The Marriage of Figaro, Dorabella in Così fan tutte, Rosina in The Barber of Seville, Zerlina in Don Giovanni, and the title role in Puccini's Suor Angelica.   As a performer of twentieth-century music, she has sung world premieres by Augusta Read Thomas and Samuel Adler, as well as large works by Schoenberg, Boulez, Harbison, Varèse, and Ginastera. She is the featured soprano on the Gasparo CD:  Unholy Sonnets and other Song Cycles by Samuel Adler.  Ms. Karpoff is a past prize winner in competitions sponsored by the Bel Canto Foundation and the Society of American Musicians; a national First Prize winner of the National Federation of Music Clubs; and First Prize winner of the Jessie Kneisel German Lieder competition.  A former Gilmore Artist and an Artistic Ambassador for the United States Information Agency, she received her Doctor of Musical Arts degree from the Eastman School of Music.  She has served on the music faculties of the University of Wisconsin at Stevens Point and the Eastman School, and currently teaches at Syracuse University.

 

Discography

Recordings currently available:

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This Moment

This Moment features the artistry of Rebecca Karpoff in remarkable, live performances of North American music, ranging from the poignantly touching songs of Bucchino and Sondheim to laugh-out-loud interpretations of works by Bernstein, Bolcom, and Greer.  Audience laughter is ever-present and the listener is captivated by Karpoff’s charisma and story-telling ability, as she infuses each vignette with dramatic intensity, a wide range of vocal colors, and impeccable timing.  From the opening, “So, where do ya wanna go, first?” (in Bernstein’s “Come Up to My Place”) it's a fun, rollicking ride of great music—with occasional turns toward tender, affecting moments.

 For its recorded premiere here, John Greer’s hilarious song cycle, “A Sarah Binks Songbook,” deserves special citation:

 “There is no doubt,” writes Paul Hiebert of his whimsical creation, poetess Sarah Binks, the Sweet Songstress of Saskatchewan, “that some of Sarah’s finest work still lies buried among the Tax Sales and Mortgage Foreclosures.  Known, among other things, for her ‘almost perfect’ translations of German poetry, honours were showered upon her throughout her life from Quagmire to Hitching, from Pelvis and Detour to Oak Bluff and Cactus Lake, culminating in that highest award in bestowal of her province's people, the Wheat Pool Medal.  No other poet has caught in deathless lines so much of Saskatchewan's elusive spirit, the baldness of its prairies, the alkalinity of its soil, the richness of its insect life.”

 Mr. Greer has wonderfully captured the spirit of Miss Binks' "deathless lines" with a wide variety of outlandish and uproarious humor.

Cover Art: New York City Skyline #1, private collection, Watercolor painting by Ron Csuha; © 2001 Ron Csuha.  All rights reserved.

CD Producer: Fred Karpoff

 Renegade Classics, Fayetteville, NY

 

Recording Venues:

Skaneateles Festival, Skaneateles, NY; Jim La Ronde, Recording Engineer, Track 1

 Setnor Auditorium, Syracuse University, Syracuse, NY; James S. Abbott, Recording Engineer, Tracks 2-3, 6-7, 17-23

 First Unitarian Meeting House, Madison, WI, Don Sylvester, Recording Engineer, Tracks 4-5, 8-16

 Wellin Auditorium, Hamilton College, Clinton, NY Tracks 24-27

 

[1] BERNSTEIN: “Come Up to My Place” (On the Town)

[2] BERNSTEIN: “What a Movie!” (Trouble in Tahiti)

[3] SHIRE:  Back on Base (Closer Than Ever)

[4] BUCCHINO:  This Moment 

[5] BUCCHINO:  Temporary

[6] BERNSTEIN: “My House” (Peter Pan)

[7] BERNSTEIN: “A Little Bit in Love” (Wonderful Town)

     BERNSTEIN: La Bonne Cuisine

[8]        Plum Pudding

[9]        Queues de Boeuf (Ox Tail Stew)

[10]      Tavouk Guenksis           

[11]      Civet à Toute Vitesse (Rabbit at Top Speed)

       BOLCOM: from Cabaret Songs

[12]      Satisfaction

[13]      Toothbrush Time

[14]      Lady Luck

[15]      Waitin

[16]      Amor

[17] SONDHEIM:  Losing My Mind (Follies)

       GREER:  A Sarah Binks Songbook (1988)

[18]       Reflections while translating Heine

                     (Fantasia on a theme of Schumann)

[19]       Hi Sooky, Ho Sooky (Valse serenata)

[20]       Ode to a Star (Arioso di camera)

[21]       The Song of the Chore (Canzone rustica)

[22]       Elegy for a Calf (Lamento pastorello)

[23]       Square Dance (Hoe-Down)

[24] KINGSLEY:  The Green Dog

[25] BENSHOOF:  The Cow

[26] ROREM:  The Serpent

[27] DUKE:  Penguin Geometry

Total Playing Time:  67:56 minutes
Cost of CD: $15 USD
 

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Last updated 8/12/2005